Each mark in clay, wood, stone, fiber, glass, pigment or metal is the archaeological evidence of an action taken by its maker. Indeed the object as a document embodies a material reenactment of a studio based craft practice. ‘ (Busek 2011)
Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge
Each mark in clay, wood, stone, fiber, glass, pigment or metal is the archaeological evidence of an action taken by its maker. Indeed the object as a document embodies a material reenactment of a studio based craft practice. ‘ (Busek 2011)